You really can’t go home again: An update of “Getting back to 350 ppm CO2 …”

I have made an important update to an earlier post here, Getting back to 350 ppm CO2: You can’t go home again.

The message, essentially based upon recent work Tokarska and Zickfield on one hand, and by The Global Carbon Project on the other make the calculation of geoengineering through clear air capture of CO2 far more pessimistic than even the whopping cost numbers were before. (Thanks to Glen Peters for pointing me to the annual budget of Carbon compiled by the Global Carbon Project.)

fig

See the post, but, in short, I forgot to account for CO2 “dissolved” in oceans and terrestrial ecosystems which will come back into atmosphere in order to restore pCO2 equilibrium once atmospheric concentrations are reduced.

You really can’t go home again ….

This all also reminds me of something I have written before. Forget the monuments, and the civilization, and the going to the Moon or Mars, and the libraries. In the long run, humanity’s legacy to Earth and the Universe will be the Carbon Dioxide we are emitting into the climate system. No other single action we can imagine doing in the foreseeable future will have such a widespread or a long-lasting impact. Right now, we are Carbon Dioxide.

Responses

  1. […] You really can’t go home again: An update of getting back to 350 ppm CO2. […]

  2. […] the article for more details. And, note, I’ve written about how extraordinarily expensive negative emissions industry is, in two articles. Even assuming the engineering technology and practical rollout for such a huge […]

  3. […] using techniques like those pioneered Professor Klaus Lackner, look increasingly necessary, despite their outrageous expense and the multi-century timescale these operations must endure. The question of moral hazard of these […]

Leave a Reply

About the author

Sophia Bennett is an art historian and freelance writer with a passion for exploring the intersections between nature, symbolism, and artistic expression. With a background in Renaissance and modern art, Sophia enjoys uncovering the hidden meanings behind iconic works and sharing her insights with art lovers of all levels. When she’s not visiting museums or researching the latest trends in contemporary art, you can find her hiking in the countryside, always chasing the next rainbow.